All tickets: £6/£4

  • Country: UK
  • Year: 1967
  • Duration: 97min
  • Certificate: 12A
  • Type: Film

The Camera is Ours: Britain's Women Documentary Makers

John Grierson is sometimes referred to as the father of British documentary and credited with coining the term documentary itself. But from the beginning, female innovators were at work within the genre, including Grierson’s own sisters Ruby and Marion, and we’re delighted to showcase their work alongside that of other pioneering female documentary makers in this revelatory programme of new digital restorations.

It begins with Marion Grierson’s lyrical and inventive Beside the Seaside (1935) which uses a witty array of techniques to stylish effect. In They Also Serve (1940) Ruby Grierson’s dramatised documentary is dedicated to “the Housewives of Britain”. A public information film by Brigid ‘Budge’ Cooper, Birth-day (1945) explores the mysteries of maternity – this is the real Call the Midwife! – while Kay Mander’s powerful Homes for the People (1945) uses the then radical technique of allowing working-class women to describe their own lives. Finally, the psychedelic spirit of the 1960s is ushered in by Sarah Erulkar’s Something Nice to Eat (1967), featuring Jean Shrimpton.

Please note: Beside the Seaside and Birth-day include scenes reflecting harmful racist views that were pervasive at the time of their making.

Please note, this screening will be in The Lounge and all seats are unallocated. 

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